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Writed by: Nitesh Tiwari

casts: Jassie Gill

Ashwiny Iyer Tiwari

genre: Romance

runtime: 131min

12:22 Me when I go pee and suddenly have to poo instead. Salute u mam... u r only a grt prsn in bollywood... Free Watch panda 2. WATCH Panga ONLINE, FIDELITY LABS Watch Online HD1080px Watch Panga Online, Fidelity Labs. Free Watch paname. Free Watch panama. Amit sir if you dont mind i wamt to meet you. Free Watch pangaea. Free Watch panda cloud. Movie Name: Panga Cast: Kangana Ranaut, Richa Chadha Director: Ashwiny Iyer Tiwari Queen till date remains Kangana Ranaut’s best performance. Despite the popularity she achieved post Tanu Weds Manu, and Manikarnika: The Queen Of Jhansi recently. Ashwini Iyer Tiwari’s Panga is right up there next to Queen. Welcome back Kangana, we missed you. Panga essentially is a story about regaining confidence in one’s self. It goes beyond just skill, for that the person sitting next to you, wreaking havoc on the keyboard right now, also has. We are in fact surrounded by skilful people, who are where they are because they deserve it. And so do we. It is that confidence that is most fragile, it is that confidence that suffers the biggest hits. Jaya (Kangana) is 32, married, and mother of a seven-year-old. Prashant (Jassie Gill), her husband, loves her, respects her and more importantly, understands what she gave up to choose this life. So, what did she give up? Not just kabaddi and a spot in the national team right before the Asia Cup; she gave up her dream. Playing for the Railway Kabaddi Team has landed her a job, where there’s no respect or recognition, but there is stability. Jaya today specialises in aaloo ke parathe, but her eyes gleam when she bites into that occasional slice of pizza she is sharing with her family in front of the television set. On the opposite end of the spectrum is Meenu (Richa Chadha), same age as Jaya, unmarried, no kids, and currently coaching aspiring young girls in kabaddi. "Jab ladka tumhe dabochne ki koshish kare, pao se pakde, toh edi ko aise twist karo, aur patli gali se line ke uss par chale jaao, " she paints a more realistic picture so a girl in a small city like Bhopal can relate to while she charts her gaming strategy on the mat. Watch Panga trailer here: Director Ashwiny Iyer Tiwari’s Bhopal is as real as it gets. The railway quarter with a loft in the kitchen where a room heater and a sandwich maker plays peek-a-boo, neatly packed in the boxes they came in, is so middle-class that it feels like home. But her setting is not a character in the story - it’s just there inconspicuously, furthering a Jaya and a Prashant’s story. They are ordinary people, middle-class, with middle-class dreams and limits, stemming from a middle-class conditioning. One such conditioning comes in the way of a bubbling desire in Jaya to make a comeback into the kabaddi team at 32. Motherhood. Even as Adi (Yagya Bhasin), her son, hands her a glass of milk because she needs physical strength to get back into the game, Jaya is torn. "Main chali jaungi toh ghar kaun samhalega, Adi ko dawai kaun dega, khana kaun banayega? " she asks and quickly adds, "Main apni hadd dekhna chahti thi. Isse aage jaungi toh cruel mother kehlaungi. " Caught between 'log kya kahenge' and her own reluctance to let go of the only thing that adds value to her existence now - her family - Jaya is almost losing her breath inches away from the line. One final push, maybe? And Ashwiny lends that push. A bit of willing suspension of disbelief, a lot of that feel-good factor that comes from watching an underdog win, Panga delivers the highs wonderfully. You walk out of the theatre feeling satiated, happy, not because of the extra butter on the popcorn. A still from Panga. That, again, is a double-edged sword. Because the audience already loves a good underdog story, shall we keep sticking to it? Panga in that sense plays to the gallery. Jaya trains and she trains hard, but the ease at which she overcomes her drawbacks, overpowers younger, fitter girls on the mat, is a stretch. Let's not forget she was out-of-practice for a good seven years. And while Serena Williams (an example used in the film) is a mother of one, winning Grand Slams after Grand Slams (she's at 23 wins right now), she never took a seven-year-long break. READ STREET DANCER 3D REVIEW HERE: As much as we'd like to believe that Jaya's win is possible, we cannot discount the fact that kabaddi is a difficult, all-body sport. And it is not sexist to admit that motherhood changes that. Panga lost a few points there. Kangana is good. Jassie emotes less and stares more, with an occasional nose-clenching grin that is both annoying and endearing. Neena Gupta has little to do in the film, very little. We are officially disappointed. Richa’s Meenu starts off a tad bit lacklustre compared to Kangana’s Jaya, and she has that complacency about her performance that we spotted in Inside Edge Season 2 too, but second-half Richa is just awesomesauce - we’re using this word for it just made it to Oxford Dictionary, and at the right time. Yagya Bhasin as seven-year-old Adi is a bomb. He does naughty, throws tantrums and sometimes spouts the most horrible things when he isn’t getting his way, just as kids do, but he also makes you fall in love with him. Panga is a good reminder that we all matter, individually, in our own way, in our own stories. It's a reminder to hold on to that little ball of confidence in you. And it's a reminder that Kangana doesn’t need to actually take panga, she can simply make one. We’re going with 3. 5 stars out of 5. ( Writer tweets as @NotThatNairita) ALSO READ | Kangana Ranaut: Indira Jaising should be kept in jail with Nirbhaya's rapists ALSO READ | Kangana Ranaut: I will never stand behind Tukde-Tukde Gang ALSO READ | Richa Chadha: Vivek Oberoi and I can discuss politics, but never spoken to Kangana Ranaut about it ALSO SEE | Panga: Kangana Ranaut turns Frida Kahlo for film's screening. Fatima Sana Shaikh attends event with Tahira Kashyap ALSO WATCH | Watch: In conversation with Panga cast Kangana Ranaut, Jassie Gill and Neena Gupta Get real-time alerts and all the news on your phone with the all-new India Today app. Download from.

 

Kangana u rock. Watch,it,PANGA,Online,Online Panga Found here. Jassi Gill you are superb you always speak truth and it's your best quality. Great music. YouTube. Movies | ‘Panga’ Review: Put Me in Coach, I Have Life Experience This Hindi movie tells the story of a former athlete, now a working mother, who sets out to recapture her former glory. Credit... Fox Star Studios Jaya, the heroine of “Panga, ” a working mom with a sickly little boy and a smiling husband, cooks, does laundry, shoos her child onto the school bus. She hovers and worries. And is unhappy. Once upon a time, though, Jaya (Kangana Ranaut) was somebody: the captain of India’s women’s kabaddi team. ( The sport, born in India and popular across Asia, is easy enough for the uninitiated to follow onscreen. ) But she quit playing when her husband’s job moved the family to Bhopal from Delhi. Can she make a comeback? That’s the question in this lightly feminist film, which shifts from being a domestic dramedy to an underdog sports tale, a favorite genre of Indian movies. The link is family: Will Jaya’s husband, Prashant (Jassie Gill), and little boy, Adi (Yagya Bhasin), support her return to kabaddi? Even if she has to move away from them to practice with the team? Directed by Ashwiny Iyer Tiwari, “Panga” has an understated realism — about the tempos of family life and the Indian middle class. The drama, too, is understated: bumps in a road paved with good will rather than a clash of values and goals. Jaya doesn’t have to fight that hard to convince her family that she needs to pursue her sport. Quite the opposite: The idea is her son’s initially. And when she makes the team and decamps to Kolkata, father and son have the occasional gentle crisis — Prashant makes a mess of Adi’s tiger makeup for a school play; his cooking is subpar — but learn to adjust. (One quick fix: Jaya’s mother swoops in to take up cooking duties. ) As a sports story, “Panga” is less heart-pounding than sweet. Jaya has to fight her aging body, her teammates’ idea that she’s too old to play (she’s all of 32) and societal notions about mothers. As expected, the movie ends with a big tournament, an all-Asia competition, and a climactic match: India versus Iran. But Tiwari is better at probing the emotions under the drama than building a nail-biting, rah-rah finish, though she tries. Throughout, Tiwari doesn’t get enough help from her script — she wrote it with Nikhil Mehrotra — which knows the beats to hit but not always how to hit them. The film is fuzzy when you want it to be sharp, its characters too generic to register, particularly Gill’s one-note Prashant. Not so Ranaut’s Jaya, who elevates the movie, putting the story across better than the script can. Ranaut makes Jaya credible and specific; she’s not an every woman or every mom or every athlete. She’s this one, Jaya, and Ranaut makes you care about what kind of place she can find for herself in the world. Panga Not rated. In Hindi, with subtitles. Running time: 2 hours 10 minutes.

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